Saturday, January 22, 2011

A rainy day introduction


If you ask my mother, she’ll tell you I was born in the state of misery. I was, of course, born in the State of Missouri, but this verbal play summarizes my beginning and subsequent life events. The day before I was born, a plague of locusts descended upon our little house in Springfield, nearly scarring my mother into labor. At the hospital, my mother was forced to have an epidural, and my father was forced to clean her bedpan. As my mother went into labor, an audience of medical students joined the doctor to witness my prophetic delivery, much to her dismay. As my parents approached the nursery window to collect me and take me home after I was cleaned, they overheard the crowd whispering to one another like clandestine lovers “what’s wrong with that one, why is it so red?” “It looks like a demon child.” These hushed comments were directed towards the baby in the back, with a full head of dark curly hair and the skin of a sleeping Wisconsinite on the beaches of Cancun, badger red from thousands of scratches. The name on the front of the plastic bin read “Lauryn,” spelled with a y.
When the girl next door traversed the yard to inspect the new arrival and entered our house barefoot my mother asked “where are your shoes?” To this she replied “I ain’t got no shoes.” It was then my mother demanded we move. Two weeks later we were in Colorado, and thus marked the beginning of my colic. After several months I finally stopped crying and started to become mobile and vocal. It is said that the best liars believe their own lies, and I was my own most fervent disciple. My active imagination and subsequent mastery of speech allowed me to tell stories, which my mother classified as lies and dealt with accordingly. The only praise I received for my epic tales was a good grind of Irish Spring against my molars and by the time I was 7 I had probably consumed at least 5 bars of soap. Day-dreamy and prone to indulging in my reveries, at a young age I became a romantic. So mesmerized by my own inward thoughts, I became a Don Quixote-esque fool in my quests for adventure. The shriveled and blackened key I once placed in a light socket, believing it to be a portal which would open up behind a secret waterfall, still lies in a drawer in the front hall table. If it weren’t for the circuit-breaker, I’d probably be dead. But no amount of Irish spring, spankings, or time outs could extinguish my creativity, and instead forced me to recline deeper into my hallucinations. At school other children viewed me as spacey and odd, and the constant moving from place to place (6 times in the first 5 years of my life) made it difficult for me to form friendships. Plagued by a persistent social and physical awkwardness, things did not improve during my teens. My only consolation was the discovery of the blues. Albert King and I have much in common. Although his soulful black voice and rapturous guitar riffs are far beyond me, I too was born under a bad sign. Albert saw the upside to our misfortune, crooning “If it wasn’t for bad luck, I wouldn’t have no luck at all.” After him, I discovered a plethora of blues musicians, because if anything, misery loves company, and misery was my state of birth. My predilection to live in my head and an acquired “theory of mind” first sparked my interest in what was to become my major and inspire my life’s ambitions. What would it be like to live in someone else’s mind, to understand their world so completely, and become so immersed in it that the lines of whose world is whose blend more perfectly than my fantasies superimposed over my reality. If you hadn’t guessed, I’m a psychology major.
Like the magic portal which has yet to unlock itself in the light socket, books served as portals into other worlds for me, and I ventured through many, most especially the classics. I had often felt like a historical anachronism, misplaced in time. Why was I not alive in the time of Jane Austen, or of F Scott Fitzgerald; and if I was born just 20 years earlier I could have heard one of my favorite poets, John Cooper Clarke, recite before a Clash concert. Perhaps it was yet another consequence of being born under a bad sign. Through my paper journeys I discovered the most marvelous novel, whose title could also title my life: La Vida Es Sueno by Calderon. No English translation of this Spanish book could fully interpret the profound questions and philosophies it professed, and so I decided to learn Spanish, my second major. From this philosophy came others, and eventually I stumbled upon a missing piece of my soul, and my true purpose in life: animals. To say I harbored a deep love of animals would never do justice to the incessant war of begging and imploring I waged against my parents for a dog. I was apparently quite persuasive because we currently have adopted two dogs into our family, the two eternal loves of my life, Oliver and Murphy. My dim understanding and great awe of our fellow earthlings has led me to a simple conclusion: I love them, so I don’t eat them. From this an entire way of life enfolded, and it is my current belief that no one should eat creatures which have thoughts of their own. This realization has propelled me into animal activism, the most depressing and dismal struggle, a sure losing battle against the up-most unethical delicacy so ingrained on the palate of human culture that it will take generations to make right. It would be easier to just not care, but that is impossible for me. It’s things like this which make me wonder: a spiritual calling to higher ethics, or born under a bad sign?
My luck seemed to have reversed and inverted itself when I first met Jacob, the mysterious boy with tattoos and tight pants who told me I looked like Juliette Lewis and licked paint off my leg in art class. It was love at first lick. To have found my soul mate so early in life atones for all my previous tribulations. Withholding the tales that lie between these two events, I find myself in London, still walking down the road less traveled by, wondering what other journeys I might discover (or invent). Perhaps the time of my bad sign is over, or perhaps it never really was a bad sign to begin with.   

A rainy day at the Musem of Natural History

 There he is. Again. Oh god, is he actually coming over here this time? I can hear the soft clack of his shoes as he walks over. He's leaning over my shoulder, he thinks I don’t notice. Didn’t your mother ever tell you all women have eyes in the backs of their heads? I can feel him watching me, watching my hand. I can hardly stand the scrutiny: the judgment has been passed, but the gavel slammed down without a sound. I feel a lush flush of red, tinting my cheeks and flooding my ears with heat. Please leave, please become distracted. I can feel his eyes tracing over the twisted and bent lines on the page. As a result, the drawing is worse. I've drawn too darkly and thrown off my shadows. It looks like a five year old drew it. Rethinking this statement, it could even be taken as an insult to 5 year olds, some of whom are quite talented. I apologize. Like a violent rape, I've left this once beautiful and pure white page defiled, bleeding black ink, with black scratches and bruises to match. Not to mention the injustice I've done to the museum, with its vaulting arches, its painted glass windows, its grand marble staircase. I should just leave. I feel like the infidel, the non-artistic intruder daring to sketch this hallowed hall. I hear someone speaking French quite loudly. It sounds like outrage. "How dare she?” “How horrible for such a beautiful museum to be translated so poorly onto the page.” I slouch over my sketch book, hunching to hide my hideous scribbles. I stop to take another long look, trying so hard to analyze the shapes, the negative space, the angles, the shadows, all while using my hand to cover the majority of my blasphemous copy. If Holden Caulfield were here, he’d peg me as a phony in seconds, a damn phony. Impostor! I feel more eyes on me. Impostor, Impostor! They yell at me. Under this pressure I draw a very crooked line. Damn! It looks even worse, although I’d hardly have thought it possible a minute ago. Time to relocate. 

I’ll hide among my brethren, my long lost cousins. But even in the mammal exhibit I feel watched. Hundreds of black beady eyes stare at me, some ferociously, some fearfully. I’m not here to hurt you! I just want to draw, undisturbed. I find an unsuspecting spot to stand in, hoping I’ll go unnoticed. I begin to draw again. But I can’t stop catching the gaze of the bear, the glare of the tiger, the blank stare of the otter. Odd, to think that in life none of these creatures would have ever come into contact with one another. Now they’re inmates, trapped forever in a prison of glass and plastic. And now instead of fear they begin invoke pity, and then sympathy. But who is really staring at whom? Are we judging them, or are we the ones on trial? Are we the exhibit, and they the spectators? Perhaps. Their eyes silently watch, seemingly blank and dumb, but in the black depths there is a hint of understanding. Is this how the antelope feel as they are appraised by the lion, hidden in the grass (or in this case hidden behind glass). What would this proud lion think of me? Would he see me as his enemy, a member of the species that shot him, skinned him, stuffed him, and now stares crassly at him, analyzing him as if he were just another specimen? Probably. And I wouldn’t blame him. Or the otter. Or the polar bear. Especially the polar bear. In 30 years, all polar bears left on earth will look just like her; frozen, motionless, statuesque, sentenced to remain in a single pose for the rest of her artificially sustained existence. What do they think of my drawing, I wonder. Probably what the peeping-tom and the French couple thought. Horrendous. Repulsive. Shameful even. Please let me apologize, I meant no harm. I never intended for my sketch to be offensive to your glass eyes. I’d also like to apologize on behalf of the human race. We’re too proud and selfish to leave you alone. We’re too curious and self-righteous to not stuff and study you. I’m sorry we killed you, and thousands of your kind. I know it’s wrong, but I represent the minority. Yes, it is we who are the dumb ones. You’re quite right, we are the creatures without souls. And now I face a scrutiny of a different kind. I am no longer on trial for aesthetics, for artistic merit and worth. I am now on trial as a being, a fellow earthling. This is a judgment of another kind, a kind I can’t bear. And the bear still stares. Like Cinderella at the ball, I’m suddenly thrust out of my day dream as the clock strikes. 5:00, time to go home. But instead of a glass slipper, all I have to remember this time is a poorly sketched picture. Oh well.